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Auguste Rodin. Sculpture. Bernard Champigneulle
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Sunderland, Tyne and Wear, United Kingdom
Sunderland, Tyne and Wear, United Kingdom
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3 Years 3 Months 6 Days
3 Years 3 Months 6 Days
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Thu 07 Jul 2011 16:59:28 (BST) - Close Time
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Europe, Italy, Australia, Sweden, Germany, Africa, Belgium, United Kingdom, Hong Kong, New Zealand, Norway, South America, Canada, United States, Asia, Brazil, Netherlands, France, South Africa, Singapore, Malaysia, North America, Oceania, India, Ireland, Portugal, Denmark, Austria, Spain
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RODIN
AUTHOR: Bernard Champigneulle
PUBLISHED: Thames & Hudson, London. 1985
FORMAT: Pb, 287pp, illustrated, notes, index
CONDITION: Used...ex-library stock, so expect library stamps / marks / stickers.
Signs of wear around the edges / cover, but book itself is in good,
sound and clean condition.
Auguste Rodin, the greatest sculptor of the 19th century, is also widely considered to be the greatest since Michelangelo, whose genius was a lifelong inspiration to him.
Through the astonsishingly life-like quality of his sculpture was in total defiance of current academic conventions, Rodin did not have to face the prolonged and bitter hostility meted out to the Impressionist painters who were his contemporaries, and in later life he became a famous and widely respected figure.
The author analyses Rodin’s great significance as an innovator in sculpture. For Rodin created an entirely new form - the detail considered as a finished work - and in doing so exercised a lasting influence on his successors, who were affected equally profoundly by his emotional expressiveness, his power of characterization and the subtlety of his modelling.
This important and authoritative monograph combines a searching reappraisal of Rodin’s achievement with a revealing account of his personality and of his troubled private life.
Through the astonsishingly life-like quality of his sculpture was in total defiance of current academic conventions, Rodin did not have to face the prolonged and bitter hostility meted out to the Impressionist painters who were his contemporaries, and in later life he became a famous and widely respected figure.
The author analyses Rodin’s great significance as an innovator in sculpture. For Rodin created an entirely new form - the detail considered as a finished work - and in doing so exercised a lasting influence on his successors, who were affected equally profoundly by his emotional expressiveness, his power of characterization and the subtlety of his modelling.
This important and authoritative monograph combines a searching reappraisal of Rodin’s achievement with a revealing account of his personality and of his troubled private life.
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